Ruled Us, Ruled Us, Ruled Us

Set within the Museum of Economic Botany in the leafy Adelaide Botanic Gardens, Ruled Us, Ruled Us, Ruled Us is a specially commissioned offsite project by multi-disciplinary artist Brad Darkson, made in consultation with Ngangki Burka, Senior Kaurna Woman Aunty Lynette Crocker and Uncle Moogy Sumner. 

Bringing together sound, sculpture and digital collage, the work has been developed in response to the transmutations that South Australia’s social and physical environment has undergone since first contact with the British. 

Two years in the making, Ruled Us, Ruled Us, Ruled Us was initiated as part of a curatorial mentorship between Patrice Sharkey (Artistic Director, Adelaide Contemporary Experimental) and Louise O’Kelly (Founding Director and Curator, Block Universe, London) focussed on commissioning artwork in response to non-traditional settings. 

Inside the Museum of Economic Botany, the last complete collection of its kind in the world, the voice of Aunty Lynette Crocker is heard. She speaks about the ongoing impact of colonisation, not only on First Nations people, but also the plants and animals that live on country. Where previously Country was cared for, the new inhabitants valued what could be used for commercial purposes, and disregarded or decimated the rest. 

The Museum’s cabinets now hold new objects brought into the space by Darkson, his family and members of Community, and carved objects using materials collected from the living collection of the Adelaide Botanic Gardens are displayed in the gallery. These objects assert the traditional uses for native plants and trees. They are presented alongside a series of manipulated and collaged photographs sourced from archival imagery of the Botanic Gardens and the Museum that date back 130 years. By adding and subtracting elements, Darkson’s images highlight the gaps in the record; where stories have been ignored, and the plants and trees that have supported people have been overlooked. 

Ruled Us, Ruled Us, Ruled Us is a collaborative act of resistance, introducing First Nations voices and cultural practices into an institution which has traditionally only viewed plants through a Western lens.